Cassandre (commedia dell'arte) — Wikipedia

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For articles with the same name, see Cassandra (disambiguation).

Cassandre is a stock character of the commedia dell'arte.

Cassandre is one of the types of ridiculous old men destined to be deceived and mocked in the buffoonish plays of Italian origin. He takes his place immediately below the characters of Pantalon and Docteur. He is constantly the dupe of Arlequin or Pierrot. He is the father or guardian of a Colombine or an Isabella whom he wants to marry to some other old codger like himself, or whom he reserves for himself, like Bartholo. But Colombine loves a young lord, a Lélio who, thanks to the connivance of a cheeky servant, thwarts the plans contrary to his love.

After having long been the necessary accessory of every harlequinade, Cassandre became at one point the main character of plays that bore his name. Starting from 1780, the knight of Piis and Barré successively gave to the Théâtre-Italien: Cassandre oculist, Cassandre mechanic, Cassandre astrologer, Cassandre the weeper (1785), and other plays whose "content, according to Grimm, is much crazier than it is cheerful."

Cassandre était relégué, sur les tréteaux, à côté de Punch, lorsqu’il revint sur le devant de la scène, pour être de nouveau berné et dupé, dans les pantomimes ressuscitées par Jean-Gaspard Deburau.

  • Maurice Sand, Masks and Buffoons (Italian Comedy), Paris, Michel Lévy frères, 1860
  • Louis Moland, Molière and Italian Comedy, Paris, Didier et cie, 1867
  • Gustave Vapereau, Universal Dictionary of Literatures, Paris, Hachette, 1876, p. 388
Summary
Cassandre is a character from the commedia dell'arte, representing a type of ridiculous old man who is often deceived and ridiculed in Italian farces. He typically ranks below characters like Pantalon and the Doctor and is frequently outsmarted by Harlequin or Pierrot. Cassandre is usually portrayed as the father or guardian of a Colombine or Isabella, whom he wishes to marry off to another old man or keep for himself, similar to Bartholo. However, Colombine loves a young lord, Lélio, who, with the help of a clever servant, thwarts Cassandre's plans. Over time, Cassandre evolved from a mere supporting character in Harlequin plays to the lead in various works named after him, such as 'Cassandre oculiste' and 'Cassandre mécanicien,' produced at the Théâtre-Italien from 1780 onwards. Although he was once relegated to the sidelines alongside Polichinelle, Cassandre made a comeback in revived pantomimes, continuing to be the target of deception. His character reflects the comedic elements of the genre, showcasing the folly of the elderly in love and marriage schemes.